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CAROLINE BERGVALL
VOICES WITH TEXTS. VOIX A TEXTES.
Morceaux et textes par des poètes et musiciens, solo ou en collaboration.
A selection of pieces by poets and musicians in collaboration or solo.
La multiplicité et le sens du passage (à travers les arts, le temps et les langues) sont suggérés par cette sélection pour webSYNradio et sont explorés dans les autres interactions textuelles avec divers médias et espaces qui distinguent Caroline Bergvall en tant que poète/artiste/critique qui, selon les mots de Charles Bernstein, “a émergé au cours de la dernière décennie comme l’un des poètes les plus brillamment inventifs de notre époque”.
The multiplicity and meaning of passage (across arts, time and languages) are suggested by this selection for webSYNradio and are insistently explored in the other textual interactions with various media and spaces that distinguish Caroline Bergvall as a poet/artist/critic who, in the words of Charles Bernstein, “has emerged over the past decade as one of the most brilliantly inventive poets of our time”.
Tracks
1/
Lee Ann Brown, “Underwear”, from A Song Cycle, live reading, NY 2003
2/
Tom Phillips & Gavin Bryars, “Chorus (Love is Help Mate)” from Irma opera (1968)
3/
Sawako Nakayasu, “Capacity” on collective Kenning CD (2008)
4/
Ida Börjel & Mathias Kristerson, “Söndag V.42 2005 (Disponentgatan)” on collective Audioei #26 CD (2006)
5/
Caroline Bergvall & Adam Parkinson, “1DJ2MANY (microa)” unused mix, prep work towards installation (2010)
6/
Fred Frith, Pauline Oliveros & John Giorno, live from Les Soirees Nomades, Fondation Cartier, Paris 2008
7/
Charles Bernstein (libretto) & Ben Yarmolinsky (music), “The Show’s Sensational” from The Lenny Paschen Show opera (1992)
8/
Rosmarie Waldrop, “Short American Memory of Salem”, live reading, Buffalo 1992
9/
Will Montgomery (sound) & Carol Watts (voice), “Pitch”, homage to Luigi Nono (2010)
10/
Robert Ashley, “In Sara Mencken, Chirst and Beethoven there were men and women” (1972)
11/
Tracie Morris, “My Great Aunt Meets a Bush Supporter”, Penn Sound studio rec (2005)
12/
Caroline Bergvall & Adam Parkinson, “1DJMANY (microb)” unused mix, prep work towards installation (2010)
13/
Laurie Anderson, “Closed Circuits” (1977)
14/
Linh Dinh, “Eating Fried Chicken”, Penn Sound studio rec (2007)
15/
Cia Rinne (text, voice) & Sebastian Eskildsen, (sound design) “Sounds for Soloists” (2010)
16/
Vincent Broqua (voice, translation) “Crop”, prep work towards installation (2010)
17/
Barbara Barg (drums, vocals) & Barbara Ess (bass, bells, vocals), “Excerpts from A streetcar named desire, for Blanche” on Tellus #5-6 audiocassette (1984)
18/
Bernadette Mayer, “Catullus #48” (with the Latin).
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ÉCOUTER
Première écoute novembre 2010
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ÉLÉMENTS
Poète, écrivaine, artiste sonore et performer, Caroline Bergvall a une pratique interdisciplinaire, travaillant dans le monde entier à travers différentes formes d’art, médias et langues. Ses œuvres comprennent des livres, des performances, des installations sonores et des imprimés. Elles sont souvent élaborées à partir de l’exploration de traces matérielles, de documents littéraires, de langues historiques ainsi que de connaissances cachées ou oubliées. Ses œuvres textuelles, spatiales et sonores, peu nombreuses, exposent souvent des événements historiques et politiques cachés ou difficiles.
Elle a exposé au Museum of Modern Art (New York), à la Dia Art Foundation (New York), au Tate Modern (Londres), au Musée d’art contemporain d’Anvers.
En 2017, elle est lauréate du prix Bernard Heidsieck-Centre Pompidou.
Award-winning poet, writer, sound artist and performer Caroline Bergvall has an interdisciplinary practice, working across artforms, media and languages all over the world. Her works include books, performances, sound installations and print.
The recipient of many international commissions, Caroline is a noted exponent of writing and performance methods adapted to contemporary audiovisual and contextual situations, as well as multilingual identities and translocal exchange.
Projects alternate between books and printed matter, collaborative performances, site-specific installations and soundworks. She has a strong interest in interdisciplinarity work and her pieces are often developed through the exploration of material traces, literary documents, historical languages as well as hidden or forgotten knowledge. Her sparse textual, spatial and audio works often expose hidden or difficult historical and political events.
Recent accomplishments include being awarded a Cholmondeley Award for her poetic production (UK, 2017); the first recipient of the art literary prize Prix Littéraire Bernard Heidsieck-Centre Pompidou (Paris, 2017); awarded a Bogliasco Fellowship, Italy (2019)
More info: carolinebergvall.com
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